Download: Hammers; Silencio Du Park Guell; Antartica; The Beatitudes
Already renowned for her interpretations of John Cage and Philip Glass, on #Darklight Italian harpist Floraleda Sacchi explores the work of a younger generation of composers such as Olafur Arnalds, Max Richter and Nils Frahm. Working solo with acoustic and electric harps, electronic devices and ambient recordings, her compelling interpretations expose the enigmatic quality of the compositions. Max Richter’s “Andras”, for instance, emerges from a buzzing cloud into delicate clarity before slipping back into the fog; while for Nils Frahm’s “Hammers”, a rhythmic bass pulse carries the kind of intense fingerpicking employed on early Leonard Cohen tracks. Her ambient recordings are variable – the sounds made by icebergs shearing off from ice shelfs, used in Roberto Cacciapaglia’s “Antartica” are less cliched than the showers used in Richter’s “Europe After The Rain” – but the only real misstep here comes with the oldest piece, DJ Tiesto’s dance remix of Barber’s “Adagio For Strings”, where the overly busy beat straps too tight a girdle around music which needs to be allowed to wilt.
Andy Gill, The Independent